Jack and Senator John McCain. Some of them dies about it This is just a preview! Cream's double album, Wheel's Of Fire, would achieve astounding success, becoming the first double-record to ever sell a million copies, due in large part to the live material recorded by Pappalardi and Halverson during the final four nights in San Francisco. Friday At The Fillmore (sort to speak) ~ “Spoonful” ~ Cream Recorded March 10, 1968 at Winterland (early show) – San Francisco, CA. songs that were natural vehicles for jamming such as "Spoonful", "Sweet Could fill spoons full of gold Just a little spoon of your precious love Although all three members, especially Clapton, had established reputations in Europe, none of them had ever ventured to America. At approximately 10 minutes in, this performances heads for the stratosphere, with all three musicians furiously improvising, taking a basic blues soaring into regions few had ever explored. Cream's third album was planned to be a double album on which Atco Records' producer Felix Pappalardi and the group would include several live performances. In many ways, Cream is largely responsible for creating the basic blueprint for rock music, with their heavier (and much louder) fusion of blues and rock 'n' roll. While the jams don’t reach the length or instrumental extravagance of latter recordings, it is still quite excellent with a fascinating "Spoonful". Let us know what you think of the Last.fm website. raga.". These shows would go down in history as the peak performances of Cream's career. 2009-2020 by Longshot aka longshotsblues. starts and ends within the same node. Reaching the pinnacle of their collective strength, Cream wouldn't last much longer and within a few short months; the constant bickering between Baker and Bruce would take its toll, leading the group to split up before years end. This is a blistering performance, in which Clapton, Bruce, and Baker all seem to be soloing simultaneously. This Blog Is ©opyrighted. God Speed Marty Balin. Not an inspiring first visit, but Cream would return to the States in August of 1967, when they would embark on their first American tour and experience an alternate universe flourishing on the other side of the country. That spoon, that spoon, that spoonful Take them from the desert sands Unlike Disraeli Gears, which had been recorded in a matter of days, the Wheels of Fire sessions took place in small bursts over a large number of months. And “Spoonful” never got any better than your hearing. Everything's-a everything's a-dyin' about it Clapton joined them. And it was this Winterland Ballroom performance which also included “Crossroads” that would forever set in stone as being the group’s best ever live recordings. Written by Clapton, Cream is in fine form right off the bat, setting the stage for the incendiary performances to come. played their typical sets but on the late show they were expected to stretch out. equal to half a Fillmore set! For this final four-night run, Cream producer Felix Pappalardi hired Wally Heider's mobile unit and engineer Bill Halverson to record all eight performances. Everything's a-fightin' about the spoonful Recorded March 10, 1968 at Winterland (early show) – San Francisco, CA. The Fillmore Auditorium had a legal capacity of 900, but somewhere between 1400 and 1500 people were reportedly crammed in for these shows, making Cream's initial San Francisco residency a huge success. ... Rock N Roll Music Is Life My Music Cream Eric Clapton Ginger Baker Jack Bruce The Yardbirds New Wave Thing 1. For this final run, Bill Graham would reverse the approach of the following week, beginning with one night of two performances at the intimate Fillmore Auditorium, followed by six shows over the course of three nights at the much larger Winterland, this time with the James Cotton Blues Band and Al Kooper's new outfit, Blood, Sweat & Tears opening. All Rights Reserved. Leave feedback. Men lies about it Founded by drummer Ginger Baker when he recruited Eric Clapton, followed by Jack Bruce to form a new band, Cream would quickly become one of the most influential groups of the 1960s, changing the landscape of blues and rock 'n' roll simultaneously. Could fill spoons full of coffee Do you know the lyrics for this track? Wayne State U is just down the road from the Grande Ballroom. This all changed over the course of six months, with San Francisco and the city's primary concert promoter, Bill Graham, playing a major role in making it happen. Credited to Willie Dixon as composer, despite considerable instrumental development and innovation, this original recording is identical to the last.fm (live at Winterland) version, notwithstanding understandable subtle differences in reproduced sound quality. in 68 it was to packed houses as the word had spread and there was a burgeoning Bruce and Baker are particularly impressive here, playing with a relentless fury that is well beyond what any rhythm section was attempting at the time. For the benefit of those questioning the validity of this statement, the reality is actually quite easily explained. clear compliment to Mike Bloomfield, who was on the bill. Just a little spoon of your precious love Cream - "Live At The Fillmore"- Cream Remasters - SB5 Recorded at the Fillmore Theatre, San Francisco Artwork Included Disc 1 (3rd Sep 1967) Tales Of Brave Ulysses 4:01 Sunshine Of Your Love 5:27 N.S.U. For the first week, Graham presented the Butterfield Blues Band and Southside Sound System (which featured Charlie Musselwhite and Harvey Mandel) as openers to create a truly incredible triple bill of modern blues. Early the following year, Cream returned to the States to record sessions for their third album at Atlantic Records New York City studios and to embark on their second US Tour. Spoonful (Live At Winterland) was originally released as track 2 of side 3 (Live at the Fillmore) of the double vinyl album "Wheels of Fire"…, Spoonful (Live At Winterland) was originally released as track 2 of side 3 (Live at the Fillmore) of the double vinyl album "Wheels of Fire" (by Cream), on Polydor, in 1968. 1936-2018. Some user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. Recorded at the early show on March 10, 1968, the final night of this historic run, this particular set includes the performance of "Crossroads" that forever cemented Eric Clapton's reputation and presents an extended sequence from one of the group's greatest performances. The Fillmore from the Lightshow platform in mid '67. later at Brandeis U, they improvised intensively and extensively the 20min NSU is the conceptual/technical jump. Saved you from another man Could fill spoons full of diamonds In San Francisco, Bill Graham was willing to take chances with overseas This is the performance that would later surface on Live Cream Volume 2 and features some of the greatest wah-wah guitar soloing ever played by a white man. Butterfield Blues Band. 9:48 Lawdy Mama 4:53 Sweet Wine 10:56 Spoonful 12:03 Sleepy Time Time 7:08 Stepping Out 11:14 Disc 2 (3rd Mar 1968) N.S.U. Excerpts and links (along with all pictures gained from this blog that search engines have linked to blog) may be used, provided that full and clear credit is given to Longshot and Longshot's Blog with appropriate and specific direction to the original content. Everything's a-cryin' about it Although the tape runs out six and a half minutes in, this still provides another excellent example of the group building up a powerful performance based on the collective strengths of the individual members. Everything's a-lyin' about it Do you know a YouTube video for this track? Freak Flag Flying at half mast tonight. Faced with a more demanding performing experience, Cream began improvising more and incorporating spontaneous jams into many of their songs, some stretching out to nearly 20 minutes. For Creams gigs he hedged his bets by making it a double bill with the Paul The following week was no less impressive with jazz vibraphonist Gary Burton's group (which included a young Larry Coryell on guitar) and the newly formed Electric Flag, featuring Mike Bloomfield, opening the shows. Little old spoon, little old spoon, little old Could fill spoons full of tea However the performance, while not as revolutionary as Platt states, is excellent. Some of them dies about it set. They in the States. These concerts—which began on February 29th and continued through the first three nights of March—were a huge success, and following a few days off, Graham presented an additional four nights. Sorry, your blog cannot share posts by email. Graham would not present concerts there until June of 1968, which is when he moved operations and christened the venue Fillmore West. If one listens closely, Clapton can be heard suggesting "Cat's Squirrel," but Baker vetoes the suggestion, and since they've yet to play one of his songs, they pursue "Sweet Wine," one of Baker's contributions to their debut album. Based on … March 7, 1968 - ‘Fillmore Auditorium’ San Francisco, California Sleepy Time Time, Tales of Brave Ulysses, Crossroads, We’re Going Wrong Note: "Sleepy Time Time" is from 9th March Winterland and released on "Live Cream", the rest are from 10th March Winterland (see below) and only "We're Going Wrong" has not been officially released. Wine" and "NSU". Spoonful, spoonful, yeah! A new version of Last.fm is available, to keep everything running smoothly, please reload the site. In your home, in all That spoon, that spoon, that That spoon, that spoon, yeah Clapton looked at Baker and Ginger said "play, play Add a video. Go directly to shout page. Atlantic Records and the group's producer, Felix Pappalardi (who would soon team up with Leslie West to form the Cream-influenced band Mountain) were wise to capture the band's onstage energy this time around, and much of Cream's live legacy is based on the results of these recordings. Many have claimed Clapton's blistering solo a result of studio overdubbing, but here it is, fully intact, exactly as it went down, proving that one of the most blazing guitar solos of all time was indeed done spontaneously live on stage. bands. The Beatles had released Sgt. Cream's first residency at Bill Graham's Fillmore Auditorium occurred the last week of August and the first week of September. Change ), You are commenting using your Twitter account. Clapton wails in response with seemingly boundless creativity. Of the song forms: A hybrid of blues, rock, and a dose of psychadelia, this is another exciting performance that demonstrates Cream's unique chemistry onstage. Despite antagonistic history between the two, Clapton convinced them to set aside their differences and Cream was born in 1966, becoming the prototype power trio, fusing the blues and rock 'n' roll into a powerful new brew. period the improvisations became more freewheeling as Eric grew in confidence. the drums/vocals and even the bass. has now evolved to the typical 6-8 minute performance including the lead break from Jack. Change ). By the time they returned to California on their farewell tour in October of 1968, they were playing huge sporting arenas like the Forum in Los Angeles and the Oakland Coliseum in the Bay Area, having already outgrown the likes of Fillmore West or Winterland. Recording. and the bourgeoning Rolling Stone magazine, which had recently launched out of San Francisco.
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