Sign up Log in. Also, we didn’t just write one version. The show featured both authentic Medieval music and contemporary tracks, with a little bit of everything in between. So that would start out as something very, very simple, just words and lute. How different are those other versions? Then when you adjust it for the picture, they already know the music and you can have conversations about it, about the themes, how to use them, what themes to mix with other themes, and all those things. Giona Ostinelli: I think we wrote an hour of music before. That includes the whole score, songs that we wrote and produced, and folk tunes and dances. GO: You can find there’s a little bit of every genre in a way. And it’s a pleasure to see how much fans are enjoying the music, especially with the songs. We wrote over eight hours of music. Ver 1. Now we feel the pressure for next season. SB: I don’t think we listened to anything in particular, because when we start every new project we want to start completely fresh and we don’t really dive into other sources and listen to other music for inspiration, because if we do that…. SB: We like writing suites in order to find the right balance, and to kind of figure out the music thematically. SB: In episode three, during the whole Striga fight and Yennefer’s dramatic transformation, we had a melody, which was Geralt’s theme. There was one version, which was even more rock. Tabs Articles Forums Wiki + Publish tab Pro. If you think “Toss a Coin To Your Witcher” has been stuck in your head for a while, they’ve been living with it for a lot longer. Wait, you really have a rap version of “Toss a Coin to Your Witcher?”. They are having fun with it the same way we had fun with it because we had a lot of passion for it. It’s like writing an album, almost. Including in some very different forms fans will be demanding to hear. It included playing around with a whole lot of very strange instruments and writing for scenes that hadn’t actually been filmed. GO: It’s Jaskier’s transformation from a simple bard to the Freddie Mercury of The Continent. So as the Witcher universe is very diverse, I think our goal for the soundtrack was to reflect the diversity in various styles, in various genres, and various instrumentations that we chose to use by recording different virtual soloists and collaborating with artists. GO: When we first wrote it, it got stuck in our head for forever. I wanted to find that balance between something more historically accurate, and something much more contemporary and groovy—more energetic and fun—by utilizing the same instruments. It’s still stuck in our heads. And obviously, playing around with all these fun instruments and recording all the various soloist and ensembles that we recorded. GO: Playing around with the instruments is a great place for inspiration. And during that period, even before we started scoring the picture, we wrote all the Jaskier songs and all the dances. But again, to this proportion? They get familiar with the music. She also wrote the lyrics. And also it’s very great for the producers, show runners, and directors, because this way everybody gets a chance to hear the material before the scenes and they get accustomed to it. Vocal M S. ... Toss A Coin To Your Witcher – Samuel Kim. So we were with it for a very long time, and throughout this whole time it was there in our heads. GO: Here’s the big conundrum for us. And we even have to have some custom made. You play around with it and you’re like, “Oh this is cool, let’s try this, let’s try that.”. SB: We worked with this song for seven months, because we wrote it in November. For the first season we learned how to play over 60 instruments. What do you think of all of the different covers people have recorded? ... so it literally sounds like an electric guitar. How would you describe the tone and the feeling you were going for to somebody who might not be well-versed in musical composition? 1,280. We had a suite for Geralt, Ciri, Yennefer, and for Nilfgard. Oh my goodness, we need to find so many instruments. SB: That was one of the very first songs that we wrote for the show, so we wanted to give Lauren the whole spectrum for something very medieval and very historically accurate, but something super, super contemporary. And there are places where we use these same instruments in a much more contemporary manner. SB: We wanted to make sure there are places where we use (the instruments) in a traditional historical concept, how they would normally be used. The Witcher's composers Sonya Belousova and Giona Ostinelli on writing all of the show's music, including "Toss a Coin to Your Witcher." So right now it’s a lot of research to find interesting instruments no one has heard before. Can't play "Toss a Coin to your Witcher"? Yeah, there were a lot of different versions and I’m glad that we settled on this one because I feel like it was just the perfect balance of every scene. Tabs Articles Forums Wiki + Publish tab Pro. So for each song we had five to seven versions. Pro Play This Tab. SB: We’ll see, we had an idea to maybe include it at some point as a bonus track. From something very medieval and very historically accurate, to something very contemporary. When you are writing music for a scene that hasn’t even been filmed, what kind of unique challenges does that present? For this soundtrack, not only [did we do] the background score, but we also wrote and produced songs and folk tunes and dances. Sign up Log in. Here you don’t really have boundaries. Ver 2. SB: Fun fact about “Toss a Coin to Your Witcher.” We’re currently all over the Billboard charts, and we’re currently #1 in Rock (Digital Song Sales), which I find very funny because you wouldn’t really think about it as a rock song. It was played on a hurdy-gurdy, but it was distorted. There was another version which was very, very medieval, very traditional, following all these traditional rules. And all 55 tracks came from composers Sonya Belousova and Giona Ostinelli. And we wanted to give [showrunner] Lauren [Hissrich] the whole spectrum of different versions. More Versions. We wrote around four or five versions per song. Which is why the first song when he sings, when you just meet his character, it’s not as evolved. This was one of the ideas that we actually discussed in depth with Jenny Klein, who is the writer of the episode. SB: I mean, we knew that it was going to attract attention because of all of the context. It was right on the 1st of July. In the case of The Witcher, there were a lot of songs and dances we had to write beforehand, because they had to be prepared for the shoot. THE WITCHER’s Composers on Creating the Show’s Music, Alpha will be closing on March 31. Nerdist had a chance to speak with them about the process, which wasn’t exactly what you’d expect. We wrote around seven versions, then we finally settled on the right version. The script itself was the main inspiration point for us. How many songs did you write before they filmed the scenes? We started writing October 2018. No, it was not; it was a distorted hurdy-gurdy, just to kind of prove the point that every instrument’s capabilities are really unlimited if you push your imagination.
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